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The LSO join forces with revered conductor Bernard Haitink and the celebrated pianist Maria João Pires in this revelatory recording of Beethoven’s Piano Concerto No.2. Haitink and the LSO’s previous Beethoven recordings have been hailed as landmark interpretations, and this new addition is sure to be welcomed into the catalogue. BachTrack described the performance as ‘music-making of the highest quality.’
Piano Concerto No 2 was composed during the 1790s when the young Beethoven was seeking to establish himself as a virtuoso pianist and composer. Subject to various revisions, the work was not published until 1801, by which time he had also published his Piano Concerto No 1.
The three-movement work opens with triumphant orchestral statements, which appear throughout the first movement and provide much of its flavour and developmental force. The music that follows is full of drama and contrast, showing off the soloist’s skill and displaying the young Beethoven at his best.
Recorded live in February 2013, the concert performances were met with critical acclaim.
Composer Beethoven Conductor Bernard Haitink Performers London Symphony Orchestra Soloist Maria João Pires
Piano Concerto No 2 in B-flat major
i. Allegro con brio
ii. Adagio
iii. Rondo: Molto allegro
Release date 9 October 2015
LSO0245 | 0822231124528
Producer James Mallinson Engineers Classic Sound Ltd Recorded February 2013 in the Barbican Hall, London
FLAC - 24bit 96kHz - Compatible with Windows and Android devices MP3 - 320kbps - Universal compatibility
Available on streaming services
Reviews
“
Pires gave the Beethoven with a directness and confidence that were of a piece with Haitink’s own contribution. But Pires packs a big keyboard personality in that small frame, and the vigorous clarity of her articulation was the stand-out characteristic
“
Enter Maria João Pires, and suddenly the game is raised and it becomes apparent that what is being developed is something far from comfortable, and very special… I thought this was music-making of the highest quality.
“
A revelatory account of the Beethoven.
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