1. A profile image of composer, singer and cellist Ayanna Witter-Johnson with a creative, fragmented effect against a dark background. Text reads Ayanna Witter-Johnson: Ocean Floor, and London Symphony Orchestra.

Ayanna Witter‐Johnson: Ocean Floor

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In 1781, the Zong – a British slave ship – left Ghana with twice the number it was designed to carry, bound for Jamaica. The ship’s owners claimed that drinking water was running low, and ordered the crew to throw more than 130 living enslaved people overboard.

Over 200 years later, Jamaica has become a place of significance for Ayanna Witter-Johnson. As a young child, she often spent her six-week summer holiday visiting extended family there, taking trips to a favourite beach on the south coast. It was here that she witnessed a terrible fatal accident at one end of the beach, yet at the other end, a baptism and celebration was taking place.

Witter-Johnson explores this spectrum of events, separated by two centuries yet tied together by their central themes of ancestry, family and the ocean, noting that even amidst the darkness of death, there is still room for joy.

Combining alternative R&B with classical, and with influences from soul, hip hop and reggae, Ayanna Witter-Johnson is the definition of an eclectic soul. Through her work with the LSO, she forged a friendship with LSO Principal Percussionist, Neil Percy, which became the starting point for the recording.

“His enthusiasm for my music moves me to tears and was the catalyst behind our first collaboration and subsequent commission, Forever. The organic development of this project is something I will treasure forever, because above all, I have felt the fullest support in expressing myself exactly as I am, and that goes beyond words.” – Ayanna Witter-Johnson

This album showcases Witter-Johnson’s special partnership with the LSO Percussion Ensemble, where her choice of rhythms and harmony and use of percussion all have symbolic meaning in relation to the songs’ deep inspiration.

Ayanna Witter-Johnson: Ocean Floor [SACD]


1. Intro applause

2. Unconditionally (Ayanna Witter-Johnson)

3. All Roads (Gwilym Simcock)

4. Chariot (Ayanna Witter-Johnson / Ofei Sakyi, arr. Gwilym Simcock)

5. Falling (Ayanna Witter-Johnson / Alex Webb)

6. Holding (Gwilym Simcock)

7. Tidal Warning (Ayanna Witter-Johnson)

8. Ocean Floor Suite: Prologue (Ayanna Witter-Johnson)

9. Ocean Floor Suite: I. The Darkest Hour (Ayanna Witter-Johnson)

10. Ocean Floor Suite: II. Pioneers (Ayanna Witter-Johnson)

11. Ocean Floor Suite: III. Ocean View (Ayanna Witter-Johnson)

12. Forever (Ayanna Witter-Johnson)


Ayanna Witter-Johnson: Ocean Floor [Vinyl LP]

Side A

1. Ocean Floor Suite: Prologue (Ayanna Witter-Johnson)

2. Ocean Floor Suite: I. The Darkest Hour (Ayanna Witter-Johnson)

3. Ocean Floor Suite: II. Pioneers (Ayanna Witter-Johnson)

4. Ocean Floor Suite: III. Ocean View (Ayanna Witter-Johnson)

Side B

1. Unconditionally (Ayanna Witter-Johnson)

2. Tidal Warning (Ayanna Witter-Johnson)

3. Forever (Ayanna Witter-Johnson)

Release date 27 October 2023
LSO5122 | 0822231512264
LSO5122-LP | 0822231512219
LSO5122-D | 0822231512264

Booklet in English

Producer Nick Wollage
Engineers Classic Sound Ltd
Recorded November 2022 in the Jerwood Hall at LSO St Luke's, London

ALAC - 16bit 44.1kHz - Compatible with Apple devices (MacOS and iOS)
FLAC - 24bit 96kHz - Compatible with Windows and Android devices
MP3 - 320kbps - Universal compatibility

Available on streaming services

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Reviews

“

Feel the genre boundaries melt away like they’d never been there at all. Delightful.

- The Symphonist
“

The Ensemble’s rhythms swing seductively throughout the entire CD including some marvellous jazz-inspired tuned percussion. The programme note describes Ayanna’s music as embracing jazz, reggae, hip-hop and RnB. With her cello playing, she bestrides the worlds of jazz and classical music.

- British Music Society
“

★★★★
An unmissable collection of storytelling magic.

- Jazzwise