LSO Live presents the world premiere recording of Mark-Anthony Turnage’s large-scale orchestral work Speranza (‘Hope’), a piece commissioned by the LSO as part of Turnage’s residency with the orchestra in early 2013. Turnage is one of the most admired composers of his generation, and has long been associated with the London Symphony Orchestra. Daniel Harding appears in this his conducting debut for LSO Live.
Speranza is in many ways Turnage’s most ambitious and symphonic composition for orchestra to date. The piece is a monument to the power of optimism in a bleak world – ‘I started working on the piece while thinking about the absence of hope. I wanted to lift people up’, says Turnage. Each of the four movements are titled ‘Hope’ in a different language; Arabic, German, Irish and Hebrew.
Speranza is coupled here with From the Wreckage, described by The Times as ‘outstanding: the music begins hellishly but gradually picks up a bluesy swing…’. Premiered in 2005, the piece was written for Håkan Hardenberger who reprises the role of soloist for this release. The three internal sections of From the Wreckage are marked by the soloist’s change of instrument – first flugelhorn, then trumpet, and finally piccolo trumpet.
Speranza is an LSO commission, generously supported by Susie Thomson.
Composer Turnage Conductor Daniel Harding Performers London Symphony Orchestra Soloist Håkan Hardenberger
1. From the Wreckage
2. Speranza: I. Amal
3. Speranza: II. Hoffen
4. Speranza: III. Dóchas
5. Speranza: IV. Tikvah
Release date 28 October 2013 LSO0744 | 822231174424
Producer Nicholas Parker Engineers Classic Sound Ltd Recorded live at the Barbican, 5 & 7 February 2013
FLAC - 24bit 96kHz - Compatible with Windows and
Android devices MP3 - 320kbps - Universal compatibility SACD - Compatible with all CD players
Available on streaming services
Reviews
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Performance: ***** Recording: **** 'Speranza, with its tangible message of enduring hope, we truly find heart as well as brilliance.’
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Performance: ***** Recording: **** ‘This searching account by Daniel Harding and the LSO of what is surely one of Turnage's finest works to date does the composer proud.’
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‘The sound is arguably the finest to have come from LSO Live in recent years, having a lustre and depth that highlight both Turnage’s orchestration and the LSO’s realization of it to best advantage.’
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