Brahms: German Requiem, Op. 45 album cover

Brahms: German Requiem

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Valery Gergiev and the London Symphony Orchestra present Brahms’ greatest choral work, the German Requiem, featuring soprano Sally Matthews and baritone Christopher Maltman. Gergiev’s first Brahms release on LSO Live, Symphonies Nos 1 & 2, Tragic Overture & Haydn Variations was awarded **** Performance ***** Recording by BBC Music Magazine.

Intended to be for ‘all humanity’, Brahms’ German Requiem is a powerful work – its central themes of melancholy and comfort are universally applicable. Non-liturgical, yet sacred and devotional in spirit, it showcases the great romantic melodies for which Brahms was renowned, and has become a popular work with choirs all over the world – admired for its mystical, consolatory and contemplative tone.

Composer Brahms
Conductor Valery Gergiev, Simon Halsey
Performers London Symphony Chorus, London Symphony Orchestra
Soloists Sally Matthews, Christopher Maltman

German Requiem, Op 45
1. Selig sind, die da Leid tragen
2. Denn alles Fleisch es ist wie Gras
3. Herr, lehre doch mich
4. Wie lieblich sind deine Wohnungen
5. Ihr habt nun Traurigkeit
6. Denn wir haben hie keine bleibende Statt
7. Selig sind die Toten

Release date 2014
LSO0748 | 0822231174820

Digital booklet in English / Notes de programme en français / Einführungstexte auf Deutsch

Producer James Mallinson
Engineers Classic Sound Ltd
Recorded 30 & 31 March 2013 in the Barbican Hall, London

FLAC - 24bit 96kHz - Compatible with Windows and Android devices
MP3 - 320kbps - Universal compatibility

Available on streaming services

Reviews

The LSO sound is immaculate and its players are up to satisfying every interpretive nuance the conductor requires of them. The chorus is solid and beautifully balanced and is especially pleasing in the fourth movement.

- Classical Music Sentinel

The dark, veiled strings at the opening are very impressive; so too is the sense of the first movement rising and falling steadily like a great arch.

- BBC Music Magazine

Gergiev’s epic, dark Russian approach presents the music’s glorious harmonies and rich jewel tones. He gives the piece space and the choruses pack amazing punch.

- The Buffalo News