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Acclaimed as “a landmark for contemporary music”, James MacMillan’s interpretation of the 2,000-year old Passion narrative is one of his most significant works. His account draws inspiration from previous musical settings of the Crucifixion story, dating as far back as the fourth century, and offers a new reading for the twenty-first century.
Composer James MacMillan Conductor Sir Colin Davis Performers London Symphony Chorus, London Symphony Orchestra Soloist Christopher Maltman
Disc 1
St John Passion: Part I
1. I. the Arrest of Jesus
2. II. Jesus Before Annas and Caiaphas. Peter Disowns Him
3. III. Jesus Before Pilate
4. IV. Jesus Is Condemned to Death
Disc 2
St John Passion: Part II
1. V. the Crucifixion
2. VI. Christ's Garments Divided
3. VII. Jesus and His Mother
4. VIII, the Reproaches
5. IX. the Death of Jesus
6. X. Sanctus Immortalis, Miserere Nobis
Release Date 2 February 2009
LSO0671 | 822231167129
Producer James Mallinson Engineer Jonathan Stokes for Classic Sound Ltd Recorded April 2008, Barbican, London
DSD (Direct Stream Digital) recording
Booklet in English, French & German
ALAC - 24bit 96kHz - Compatible with Apple devices (MacOS and iOS) FLAC - 24bit 96kHz - Compatible with Windows and Android devices MP3 - 320kbps - Universal compatibility SACD - Compatible with all CD players
Available on streaming services
Reviews
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'The charged atmosphere and sense of this being something special, a composition destined to last, launched with a great performance under Colin Davis, register fully on disc. A recording for repeated listening and total spiritual immersion.'
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'In the plethora of passions popping up these days, this one has to rank among the finest ... this is a piece you simply must hear if you have any interest in contemporary sacred orchestral and choral work.’
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'In the central role Christopher Maltman gives one of his finest performances to date, sonorous, assured… and reassuringly firm of tone. The choral and orchestral contributions are likewise beyond reproach, with the superb LSO brass in particular totally unfazed by MacMillan's at times scarily vertiginous demands.'
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