MacMillan: St John Passion album cover

MacMillan: St John Passion

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Acclaimed as “a landmark for contemporary music”, James MacMillan’s interpretation of the 2,000-year old Passion narrative is one of his most significant works. His account draws inspiration from previous musical settings of the Crucifixion story, dating as far back as the fourth century, and offers a new reading for the twenty-first century.

Composer James MacMillan
Conductor Sir Colin Davis
Performers London Symphony Chorus, London Symphony Orchestra
Soloist Christopher Maltman

Disc 1
St John Passion: Part I

1. I. the Arrest of Jesus
2. II. Jesus Before Annas and Caiaphas. Peter Disowns Him
3. III. Jesus Before Pilate
4. IV. Jesus Is Condemned to Death

Disc 2
St John Passion: Part II

1. V. the Crucifixion
2. VI. Christ's Garments Divided
3. VII. Jesus and His Mother
4. VIII, the Reproaches
5. IX. the Death of Jesus
6. X. Sanctus Immortalis, Miserere Nobis

Release Date 2 February 2009
LSO0671 | 822231167129

Producer James Mallinson
Engineer Jonathan Stokes for Classic Sound Ltd
Recorded April 2008, Barbican, London

DSD (Direct Stream Digital) recording

Booklet in English, French & German

ALAC - 24bit 96kHz - Compatible with Apple devices (MacOS and iOS)
FLAC - 24bit 96kHz - Compatible with Windows and Android devices
MP3 - 320kbps - Universal compatibility
SACD - Compatible with all CD players

Available on streaming services

Reviews

'The charged atmosphere and sense of this being something special, a composition destined to last, launched with a great performance under Colin Davis, register fully on disc. A recording for repeated listening and total spiritual immersion.'

- Classic FM Magazine, Editor's Choice

'In the plethora of passions popping up these days, this one has to rank among the finest ... this is a piece you simply must hear if you have any interest in contemporary sacred orchestral and choral work.’

- Audiophile Audition

'In the central role Christopher Maltman gives one of his finest performances to date, sonorous, assured… and reassuringly firm of tone. The choral and orchestral contributions are likewise beyond reproach, with the superb LSO brass in particular totally unfazed by MacMillan's at times scarily vertiginous demands.'

- Gramophone