Nikolaj Znaider performs at the highest level as both conductor and virtuoso violin soloist, and for this album, the first of two releases exploring all five Mozart violin concertos, he directed the London Symphony Orchestra from his instrument, the ‘Kreisler’ Guarnerius ‘del Gesu’ 1741.
Whilst Mozart’s five violin concertos were all written when he was a teenager, there is no denying that the young composer’s growth in confidence and maturity is audible. A step up from his Third, Mozart’s Fourth violin concerto allows the instrument to take the lead, his orchestra providing a supporting role. Widely considered the most ‘grown up’ of his violin concertos, Mozart’s Fifth finishes with a spirited rondo, its solo’s leaping notes and exotic ornamentation leading to its nickname, ‘Turkish.’
Speaking of his admiration for these works, Znaider said: ‘For me Mozart is the greatest composer, because he was able to express everything that Mahler was able to express in one hour and twenty minutes, that Wagner could do in five hours, Bruckner in seventy-two minutes, in twenty-three, twenty-four minutes. He could express the yearning and the desire and the pain of human existence and yet it felt so easy.’
Composer Wolfgang Amadeus Mozart Conductor Nikolaj Znaider Soloist Nikolaj Znaider Performers London Symphony Orchestra
Violin Concerto No. 4 in D major, K. 218 1. I. Allegro
2. II. Andante cantabile
3. III. Rondeau: Andante grazioso - Allegro ma non troppo
Violin Concerto No. 5 in A major, K. 219, 'Turkish' 4. I. Allegro aperto - Adagio - Allegro aperto
5. II. Adagio
6. III. Rondeau: Tempo di Menuetto - Allegro - Tempo di Menuetto
Release Date 2 March 2018\
LSO0807 | 822231180722
Producer Andrew Cornall EngineersClassic Sound Ltd Recorded 18 December 2016 & 14 May 2017, Barbican, London
DSD (Direct Stream Digital) recording
Booklet in English, French & German
FLAC - 24bit 96kHz - Compatible with Windows and Android devices MP3 - 320kbps - Universal compatibility SACD - Compatible with all CD players
Available on streaming services
Reviews
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‘Possibly among the most exquisite violin sound ever captured on disc.’
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★★★★ ‘Highly polished accounts. Znaider and his players nail the characterful ending of the Fifth perfectly.’
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★★★★ ‘Youthful works here garbed with more delicacy than usually afforded them, they bloom in the velvet-rich sound of the orchestra’s modern instruments but remain delightfully spry and finessed in adroitly judged period feel.’
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