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Following the success of his Fifth Symphony, all eyes were on Shostakovich to create a work that would measure up to its predecessor. The Sixth was originally intended as an immense musical monument to Lenin, to be woven with heroic melodies and folk songs. Instead his audiences were surprised to hear a quite different result—a contemplative, restrained first movement that morphs puzzlingly into a ferocious ending.
The Fifteenth is another of Shostakovich’s musical enigmas, with inexplicable quotes from music by Rossini, Glinka and Wagner dotted throughout, alongside references to his own music from his younger years. Written in 1970–71 when the composer’s health was declining, this final symphony is one of fond reflection.
Together these unconventional works showcase Shostakovich’s range as a composer—from wild exuberance to quiet introspection.
Composer Dmitri Shostakovich Conductor Gianandrea Noseda Performers London Symphony Orchestra
Symphony No. 15 in A Major, Op. 141 1. I. Allegretto
2. II. Adagio – Largo – Adagio – Largo
3. III. Allegretto
4. IV. Adagio – Allegretto – Adagio – Allegretto
Symphony No. 6 in B Minor, Op. 54 5. I. Largo
6. II. Allegro
7. III. Presto
Release Date 26 May 2023
LSO0878 | 0822231187820
Producer Nicholas Parker Engineers Jonathan Stokes and Neil Hutchinson for Classic Sound Ltd Recorded October 2019 (Symphony No 6) & February 2022 (Symphony No 15), Barbican, London
DSD (Direct Stream Digital) recording
Booklet in English, French & German
FLAC - 24bit 96kHz - Compatible with Windows and Android devices MP3 - 320kbps - Universal compatibility SACD - Compatible with all CD players
Available on streaming services
Reviews
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Performance ★★★★★ Recording ★★★★
‘Gianandrea Noseda is careful to cross every t without ever losing sight of atmosphere and long-term vision.’
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Performance ★★★★ ½ Sonics: ★★★★ ½
‘As those familiar with Noseda’s dynamic conducting style will expect, the performance here is scrupulously prepared and magnificently played by the LSO, with the many instrumental solos delivered immaculately and with the utmost sensitivity.’
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★★★★
‘The LSO’s sumptuous sound and Noseda’s alert and witty conducting provide much pleasure.’
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